日本藝術・文化・文化遺産 講師

ユージニア・ボグダノワ・クンマー

イースト・アングリア大学と提携しているセインズベリー日本藝術研究所で日本芸術・文化・文化遺産の講師を務めるユージニア・ボグダノワ・クンマーは、現代日本芸術を専門とする芸術史の研究者。2016年にハイデルベルグ大学で博士号を取得後、米ジョージア州アトランタのエモリー大学と、ワシントンDCのスミソニアン・フリーア・サックラー美術館で博士研究員を務めた。研究分野は日本の戦後芸術、東アジアの現代書道史、異文化研究、抽象芸術、日本芸術における像と言語の関係等。現在「People of the Ink: Japanese Avant-Garde Calligraphers in Postwar Abstract Art」を執筆中。

主な業績

Julius Bissier: Calligraphic Meditations between Seclusion and Fame (Julius Bissier: Kalligraphische Studien zwischen Abgeschiedenheit und Ruhm. IN: Isabel Herda and Anna Hagdorn (ed.) Julius Bissier und Ostasien. Im Raum meiner Imagination – Julius Bissier and East Asia. The Realm of My Imagination. Freiburg: Städtische Museen Freiburg, 2018, pp. 42-62.
https://www.imhof-verlag.de/julius-bissier-und-ostasien.html;
https://www.freiburg.de/pb/,Lde/1163640.html

‘Contested Comparisons: Franz Kline and Japanese Calligraphy’, in AnnMarie Perl (ed.), In Focus: Meryon 1960–1 by Franz Kline, Tate Research Publication, 2017
http://www.tate.org.uk/research/publications/in-focus/meryon/japanese-calligraphy

“Tatami and Wood: Ink Rubbings and the Discussion of Materiality in Postwar Japanese Calligraphy and Art” in World Art, Volume 6, 2016, issue 2, pp. 269-291
http://www.tandfonline.com/doi/full/10.1080/21500894.2016.1187668

“戦後の日本前衛書道と欧米抽象絵画における余白の概念について (About the Concept of Blank Space Yohaku in Japanese Avant-Garde Calligraphy and Euro-American Abstract Painting)” in Kambayashi Tsunemichi (ed.) 〈書の美学〉の伝統と変容 (Tradition and Transformation in Aesthetics of East Asian Calligraphy). Tokyo: Sangensha, 2016, pp. 384-412. http://ci.nii.ac.jp/ncid/BB2107226X

“The Line Between Calligraphy and Painting: A View from Postwar Japan” in Gerhard Wolf and Marzia Faietti (ed.) The Power of Line. Munich. Hirmer, 2015, pp. 118-128. http://press.uchicago.edu/ucp/books/book/distributed/P/bo23387465.html

“Neudefinitionen der japanischen Kalligrafie: Reaktionen auf die Meiji-Restauration und auf den Zweiten Weltkrieg” in Ostasiatische Zeitschrift, No.26, Berlin, autumn 2013, pp. 29-37.

“On the Notion of Avant-Garde in Postwar Japanese Calligraphy” (in preparation for: Christine Guth, Melanie Trede and Mio Wakita (ed.) Japanese art—Global Dimensions. Leiden and Boston: Brill, forthcoming spring 2019

“Morita Shiryū: His Path to the World (森田子龍:世界への道)” in Catalog Raisonné of Morita Shiryū, Kyoto: Soryusha, pp. 2-13, forthcoming spring 2019

 

Contact

64 The Close, Norwich NR1 4DH , United Kingdom
E: [email protected]
T: 01603-597-517
F: +44 (0)1603-625011


Selected Publications

Julius Bissier: Calligraphic Meditations between Seclusion and Fame (Julius Bissier: Kalligraphische Studien zwischen Abgeschiedenheit und Ruhm. IN: Isabel Herda and Anna Hagdorn (ed.) Julius Bissier und Ostasien. Im Raum meiner Imagination – Julius Bissier and East Asia. The Realm of My Imagination. Freiburg: Städtische Museen Freiburg, 2018, pp. 42-62.

'Contested Comparisons: Franz Kline and Japanese Calligraphy', in AnnMarie Perl (ed.), In Focus: Meryon 1960–1 by Franz Kline, Tate Research Publication, 2017

"Tatami and Wood: Ink Rubbings and the Discussion of Materiality in Postwar Japanese Calligraphy and Art" in World Art, Volume 6, 2016, issue 2, pp. 269-291

"戦後の日本前衛書道と欧米抽象絵画における余白の概念について (About the Concept of Blank Space Yohaku in Japanese Avant-Garde Calligraphy and Euro-American Abstract Painting)" in Kambayashi Tsunemichi (ed.) 『〈書の美学〉の伝統と変容』 (Tradition and Transformation in Aesthetics of East Asian Calligraphy). Tokyo: Sangensha, 2016, pp. 384-412.

"The Line Between Calligraphy and Painting: A View from Postwar Japan" in Gerhard Wolf and Marzia Faietti (ed.) The Power of Line. Munich. Hirmer, 2015, pp. 118-128.

"Neudefinitionen der japanischen Kalligrafie: Reaktionen auf die Meiji-Restauration und auf den Zweiten Weltkrieg" in Ostasiatische Zeitschrift, No.26, Berlin, autumn 2013, pp. 29-37.

"On the Notion of Avant-Garde in Postwar Japanese Calligraphy" (in preparation for: Christine Guth, Melanie Trede and Mio Wakita (ed.) Japanese art—Global Dimensions. Leiden and Boston: Brill, forthcoming spring 2019

"Morita Shiryū: His Path to the World (森田子龍:世界への道)" in Catalog Raisonné of Morita Shiryū, Kyoto: Soryusha, pp. 2-13, forthcoming spring 2019