日本藝術・文化・文化遺産 講師

ユージニア・ボグダノワ・クンマー

Eugenia Bogdanova-Kummer is Lecturer in Japanese Arts, Culture, and Heritage at the Sainsbury Institute for the Study of Japanese Arts and Cultures, which is affiliated to the University of East Anglia.

She is an art historian specialising in modern Japanese art. She received her Ph.D. from Heidelberg University in 2016 and since then held postdoctoral positions at Emory University, Atlanta, GA and Smithsonian Freer and Sackler Galleries, Washington, D.C. Her research interests include postwar art in Japan; modern calligraphy history in East Asia; transcultural studies; abstract art; and the relationship between image and language in Japanese art. She is currently working on her book manuscript People of the Ink: Japanese Avant-Garde Calligraphers in Postwar Abstract Art.

Selected Publications

Julius Bissier: Calligraphic Meditations between Seclusion and Fame (Julius Bissier: Kalligraphische Studien zwischen Abgeschiedenheit und Ruhm. IN: Isabel Herda and Anna Hagdorn (ed.) Julius Bissier und Ostasien. Im Raum meiner Imagination – Julius Bissier and East Asia. The Realm of My Imagination. Freiburg: Städtische Museen Freiburg, 2018, pp. 42-62.
https://www.imhof-verlag.de/julius-bissier-und-ostasien.html;
https://www.freiburg.de/pb/,Lde/1163640.html

‘Contested Comparisons: Franz Kline and Japanese Calligraphy’, in AnnMarie Perl (ed.), In Focus: Meryon 1960–1 by Franz Kline, Tate Research Publication, 2017
http://www.tate.org.uk/research/publications/in-focus/meryon/japanese-calligraphy

“Tatami and Wood: Ink Rubbings and the Discussion of Materiality in Postwar Japanese Calligraphy and Art” in World Art, Volume 6, 2016, issue 2, pp. 269-291
http://www.tandfonline.com/doi/full/10.1080/21500894.2016.1187668

“戦後の日本前衛書道と欧米抽象絵画における余白の概念について (About the Concept of Blank Space Yohaku in Japanese Avant-Garde Calligraphy and Euro-American Abstract Painting)” in Kambayashi Tsunemichi (ed.) 〈書の美学〉の伝統と変容 (Tradition and Transformation in Aesthetics of East Asian Calligraphy). Tokyo: Sangensha, 2016, pp. 384-412. http://ci.nii.ac.jp/ncid/BB2107226X

“The Line Between Calligraphy and Painting: A View from Postwar Japan” in Gerhard Wolf and Marzia Faietti (ed.) The Power of Line. Munich. Hirmer, 2015, pp. 118-128. http://press.uchicago.edu/ucp/books/book/distributed/P/bo23387465.html

“Neudefinitionen der japanischen Kalligrafie: Reaktionen auf die Meiji-Restauration und auf den Zweiten Weltkrieg” in Ostasiatische Zeitschrift, No.26, Berlin, autumn 2013, pp. 29-37.

“On the Notion of Avant-Garde in Postwar Japanese Calligraphy” (in preparation for: Christine Guth, Melanie Trede and Mio Wakita (ed.) Japanese art—Global Dimensions. Leiden and Boston: Brill, forthcoming spring 2019

“Morita Shiryū: His Path to the World (森田子龍:世界への道)” in Catalog Raisonné of Morita Shiryū, Kyoto: Soryusha, pp. 2-13, forthcoming spring 2019

 

Contact

64 The Close, Norwich NR1 4DH , United Kingdom
E: [email protected]
T: 01603-597-517
F: +44 (0)1603-625011


Selected Publications

Julius Bissier: Calligraphic Meditations between Seclusion and Fame (Julius Bissier: Kalligraphische Studien zwischen Abgeschiedenheit und Ruhm. IN: Isabel Herda and Anna Hagdorn (ed.) Julius Bissier und Ostasien. Im Raum meiner Imagination – Julius Bissier and East Asia. The Realm of My Imagination. Freiburg: Städtische Museen Freiburg, 2018, pp. 42-62.

'Contested Comparisons: Franz Kline and Japanese Calligraphy', in AnnMarie Perl (ed.), In Focus: Meryon 1960–1 by Franz Kline, Tate Research Publication, 2017

"Tatami and Wood: Ink Rubbings and the Discussion of Materiality in Postwar Japanese Calligraphy and Art" in World Art, Volume 6, 2016, issue 2, pp. 269-291

"戦後の日本前衛書道と欧米抽象絵画における余白の概念について (About the Concept of Blank Space Yohaku in Japanese Avant-Garde Calligraphy and Euro-American Abstract Painting)" in Kambayashi Tsunemichi (ed.) 『〈書の美学〉の伝統と変容』 (Tradition and Transformation in Aesthetics of East Asian Calligraphy). Tokyo: Sangensha, 2016, pp. 384-412.

"The Line Between Calligraphy and Painting: A View from Postwar Japan" in Gerhard Wolf and Marzia Faietti (ed.) The Power of Line. Munich. Hirmer, 2015, pp. 118-128.

"Neudefinitionen der japanischen Kalligrafie: Reaktionen auf die Meiji-Restauration und auf den Zweiten Weltkrieg" in Ostasiatische Zeitschrift, No.26, Berlin, autumn 2013, pp. 29-37.

"On the Notion of Avant-Garde in Postwar Japanese Calligraphy" (in preparation for: Christine Guth, Melanie Trede and Mio Wakita (ed.) Japanese art—Global Dimensions. Leiden and Boston: Brill, forthcoming spring 2019

"Morita Shiryū: His Path to the World (森田子龍:世界への道)" in Catalog Raisonné of Morita Shiryū, Kyoto: Soryusha, pp. 2-13, forthcoming spring 2019